🎤 XLR Microphones

Condensers (AT2020, Rode NT1, AKG C414) are sensitive and capture detail — ideal for studio vocals, acoustic guitars, and overheads in treated rooms. Dynamics (Shure SM7B, SM58, Sennheiser MD 421) reject room noise and handle loud sources, ideal for podcasting, broadcast, drums, and untreated rooms.

Condenser XLR mics need +48 V phantom power, supplied by every modern audio interface. Dynamic mics like the SM7B don't need phantom power and won't be damaged by it. Ribbon mics do not want phantom power applied — turn it off before plugging one in.

The Shure SM7B is the broadcast standard but needs a clean preamp with 60 dB of gain. The Rode PodMic and Procaster deliver similar broadcast tone for less money. The Electro-Voice RE20 is the alternative classic. For a budget pick, the Audio-Technica ATR2100x-USB has both XLR and USB outputs.

For desk recording, six feet (2 m) is enough. For mic-to-camera or stage runs, ten or fifteen feet (3–5 m) is standard. Mogami Gold and Hosa Pro are the most-deployed brands; Amazon Basics XLR is fine for budget setups and short runs.